Choice ID Image Painting (From A to Z) Details
1224
Christ and the Woman of Samaria
Musee du Louvre, Paris
20055
Christ and the Woman of Samaria (mk05)
Before 1504
Wood 9 1/2 x 7\'\'(24 x 18 cm)Another of the pictures painted for Isabella of Castile,\"the Catholic Queen\";acquired in 1926
43888
Herodia-s Revenge
1496
Oil on wood,
75 x 50,4 cm
62420
Herodias Revenge
75 x 50,4 cm Museum Mayer van den Bergh, Antwerp Herod and Herodias sit at a table in a Renaissance interior. Salome presents the severed head of John the Baptist to them on a platter.Herod recoils from the atrocity, but Herodias holds a knife ready to pierce John's tongue in revenge for the saints's denunciation of her sinful behaviour. The panel belonged to an altarpiece devoted to the story of John the Baptist which was painted in 1496 for the Carthusian monastery of Miraflores near Burgos. The original form of the altarpiece has been partially reconstructed. Its central panel was the Baptism of Christ, now in a Madrid collection. Each wing consisted of at lest two panels placed one on top of the other. Although the work of Juan de Flandes is not really Southern Netherlandish in character, we nevertheless detect the clear influence of painters from Ghent and Bruges, especially Hugo van der Goes. He uses painterly techniques to create a strange atmosphere. The bright lighting and accentuation of the green, red and orange sections generate a nervous tension. Placing the main protagonists in the foreground lends the scene an expressive aura and a pronounced monumentality, which is further heightened by the dramatic movement, the sharply delineated forms and the realistic appearance of the figures. Author: JUAN DE FLANDES Title: Herodias' Revenge , 1501-1550 , Spanish Form: painting , religious
86541
Herodias' Revenge
Date 1496(1496)
Medium Oil on wood
Dimensions Height: 75 cm (29.5 in). Width: 50.4 cm (19.8 in).
cjr
90581
Herodias' Revenge
1496(1496)
Medium oil on panel
Dimensions Height: 75 cm (29.5 in). Width: 50.4 cm (19.8 in).
cyf
52566
Herodias- Revenge
1496 Oil on wood, 75 x 50,4 cm
92569
Portrait of an Infanta (possibly Catherine of Aragon)
Date c. 1496(1496)
Medium oil on panel
Dimensions Height: 32 cm (12.6 in). Width: 22 cm (8.7 in).
TTD
89126
Portrait of Joan the Mad
between 1496(1496) and 1500(1500)
Medium oil on wood
cyf
97192
Portrait of Philip I of Castile
between 1496(1496) and 1500(1500)
Medium oil on panel
cyf
89134
Portrait of Philip the Handsome
between 1496(1496) and 1500(1500)
Medium Oil on wood
cyf
87439
Resurrection
Date c. 1508(1508)
Medium Tempera and oil on panel.
Dimensions 131 x 87.5 cm (51.6 x 34.4 in)
cjr
92214
Resurrection
1508(1508)
Medium Tempera and oil on panel.
Dimensions 131 X 87.5 cm (51.6 X 34.4 in)
cyf
1225
Saints Michael and Francis
1505-09
89127
Saints Michael and Francis
between 1505(1505) and 1509(1509)
Medium tempera and oil on wood
cyf
32861
Temptation of Christ
mk84
ca.1500
Washington,
National Gallery of Art,
28516
The Ascension
mk61
c.1510
28533
The Ascension
mk61
c.1510
Oil on canvas
110x84cm
45536
The increase of the breads and fishes
mk186
1496-1505 Madrid, Patrimonio Nacional
89314
The Marriage Feast at Cana
1500(1500)
Medium oil on wood
cyf
1226
The Marriage Feast at Cana 2
1500
Metropolitan Museum of Art, New York
43890
The Nativity
c. 1508-19
Oil on panel,
43736
The Temptation of Christ
c. 1500
Oil on panel,
21 x 16 cm
52640
Vase of Flowers
1635-36 Oil on canvas, 44 x 34 cm
52641
Vase of Flowers
Vase of Flowers 1636 Oil on canvas
62430
Virgin and Child before a Landscape
1510 Oil on panel, 26 x 19,5 cm Private collection The composition of this remarkably refined little painting is based on a lost small work by Memling, which is best reflected in the Virgin of the Metropolitan Museum, New York. Since the dimensions correspond, the work must have been done with a tracing or punch-cardboard based on the original. The version discussed here shows the image in the right direction. The Virgin is represented high above a landscape, more monumental than the prototype. She stands behind a wall over which a white cloth is draped with very heavy folds. This also differs from the model. The panel was incorrectly ascribed to Michel Sittow, and later attributed to Juan de Flandes in 1966. On account of the quality, the typical facial features and the vaporous green-grey landscape, this attribution cannot be doubted. The panel originated about the time of the Retablo Mayor of Palencia (c. 1510) and may have been the central panel of a small triptych described in the accounts of Palencia Cathedral as the 'tabla oratorio de tress pie?as'. If so, it could have been a work in the style of Memling's Triptych of Benedetto Portinari (Florence, Galleria degli Uffizi), with a donor and a saint in front of a continuous landscape on the wings. Author: JUAN DE FLANDES Title: Virgin and Child before a Landscape , 1501-1550 , Spanish Form: painting , religious
